NOT KNOWN DETAILS ABOUT PHEONIX TEARS COPYRIGHT 0 23

Notions of looking and voyeurism are tackled spatially and architecturally in “Very good For Me.” In this series, swooping lines develop a kind of peephole outcome that reveals Mundt in two distinctive poses: adopting the posture of Toulouse-Lautrec’s model and tugging at her belly. This gesture, which seems in other paintings while in the ex